BLOG MASONRY

Lou Mandolini
Lou (Lindsey) Mandolini is nonbinary professional dancer, choreographer, and performance artist based in Brooklyn, New York. They began their formal training in Chicago at the Ruth Page Foundation School of Dance and graduated from the University of the North Carolina School of the Arts High School Program. Mandolini went...Continued
Testimonial – John Seaforth, SOAK 2012
I saw the performance of Butoh Master Ko Murobushi and his company and the work of Ben Spatz. I am most impressed by the dedication and focus of the CAVE Art Space and its Directors. CAVE provides an excellent environment for presenting performance art – as a savouring of...Continued
Testimonial – Laura Cohen
I am consistently blown away by the creativity with which Ximena and Andrea approach and communicate movement. Classes are as mentally rigorous and inspiring as they are physically. I leave every week yearning to internalize more of LEIMAY LUDUS and to integrate its praxis with my life. – Laura...Continued
Selma Trevino
“I will be re-visiting Etienne Decroux’s choreography “Washerwoman” and exploring ways to perform it according to my Brazilian heritage, investigating washerwomen culture from Brazil.”
Aya Hayashi
Aya will begin choreography for Okaeri Productions’ Godspell, which will run at the Main Street Theatre & Dance Alliance February 25-27, 2022.
Melani De Guzman
“I’ll be working on movement research, fine tuning acting monologues, and planning my experimental dance solo film.”
Shani Bekt
“I would structure the time to further flesh out and solidify pieces I’ve started choreographing and explore making new works. Ideally, I’d also like to film my work to use for artistic grant purposes.”
Kristel Baldoz
Drawing further into her research between movement and objects, Kristel will be improvising with a variety of materials that are connected to her historical past comprised of farmworkers and export laborers.
Article: “The Illumination of LEIMAY’s ‘Becoming-Corpus'”
“They offer a splendid merging/clashing of movement and light in patterns that approach and recede. Garnica and Moriya have been artistic and personal partners for 13 years. Their intimacy shows in the way that Garnica’s choreography is structured, framed, and permeated by Moriya’s lighting and Moriya’s light is populated...Continued
1 2 3 4 108