Anaïs Maviel

Anaïs Maviel’s work as a vocalist, composer, percussionist and artistic director focuses on the function of art to address Relation. With sound, she intends to lay common grounds for utopian futures. Connecting intimacy and subconscious narratives with collective and large-scale principles, Anaïs navigates song, choral, instrumental music and staging with a strong connection to cosmologies of sound and speech rooted in oral traditions such as mantra and ring shout. With traditional and experimental approaches, she investigates the power of sound to shape reality. Anaïs cares for the stakes of hybridity in culture, working towards opening up the interstices between genres, … Continued

Santiago Cárdenas

Art explorer, cultural manager, producer, director, and workshop facilitator since 2021 with Contraindustria Corporación Cultural (Colombia) and since 2023 with the organization Leimay (New York/Colombia). He has experience as a music producer, DJ (Selector), and performer of string and percussion instruments. Dancer in Latin rhythms (Salsa-Bachata) in Street Dance genres (Lockin, Whacking, House, Hip-Hop), the heritage of Afro-diasporic dances, and Tap Dance in Dromós Project.

Maria Bacardi

Maria Bacardi, (Emeritus) (7 years) Maria Bacardi is a singer, actor, director and philanthropist. She was the Founder and Artistic Director of Oddfellows Playhouse, a not-for-profit artist’s theater company in East Hampton. Through Oddfellows, she spearheaded a multitude of theatrical workshops involving the East End youth. From 1999 to 2015, Maria was the founder and co-chair of the Community Board of Robert Wilson’s Watermill Center, now the Community Fellows. Currently, Maria serves on the board of Fundación Amistad and LEIMAY.  

Amaru Zárate

Maestro en Arte Danzario con énfasis en Danza Teatro de la Universidad Distrital Francisco José de Caldas. Con experiencia en el campo de las artes desde la interpretación, la dirección, la investigación creación y la formación, alimentando su búsqueda por la expansión de los límites del arte en relación al ser.Con experiencia escénica en danza contemporánea, teatro físico, teatro posdramático y performance, centrando también sus inquietudes personales alrededor de lo ritual y el arte como encuentro sensible, generando así preguntas investigativas sobre la interdisciplinariedad y el lugar de las artes en la construcción de comunidad.

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