Review: “Alive in Green-Wood Cemetery
“This dance, “Thresholds” by LEIMAY, suggested life and death happening in a continuum. It was respectful, haunting, and beautiful.” -Sarah Larson, The New Yorker (2014)
“This dance, “Thresholds” by LEIMAY, suggested life and death happening in a continuum. It was respectful, haunting, and beautiful.” -Sarah Larson, The New Yorker (2014)
“Everyone snaps to attention; Thresholds created by Ximena Garnica and Shige Moriya of LEIMAY, reminds us that the pall of death hangs over this place. A few paces later, we congregate in a circular pit as an opera singer intones an eerie, dire melody. Spotlights flash on, five of them, illuminating men and women standing on mausoleums. They are like paper doll cutouts, arms pasted to their sides, expressions stony. One pitches backwards, and then another and another as the lights blink off and on. Under the cover of darkness, these dancers scramble into standing positions to repeat their death … Continued
“And occasionally, around one bend or another, a poignant surprise awaited, foreshadowed by a distant noise or beckoning pool of light. In the first 15 minutes of the almost two-hour tour, after we had stopped at a mass grave of victims from the 1876 Brooklyn Theater fire, a shrill voice sounded, directing our attention to six bodies perched on a row of mausoleums, each lit from below. In seemingly random order, they began to fall backward and stand back up, to disappear and reappear, thanks to the simple but effective lighting. This was “Thresholds” by Leimay (directed by Ximena Garnica … Continued