HOMEPAGE X&S

XIMENA GARNICA + SHIGE MORIYA

 

Ximena Garnica (Colombian-born) and Shige Moriya (Japanese-born) are an artist duo who have worked together for over two decades as multidisciplinary artists, choreographers, co-artistic-directors, and artistic instigators at their live-work art space, CAVE, in the area currently known as Williamsburg, Brooklyn in New York City. Ximena and Shige lead the LEIMAY Ensemble, a group of national and international dancers who create body-centered works around the principle of LUDUS, a practice that explores methods to physically condition the body and develop a sensitivity to the “in-between space.”

Ximena and Shige are immigrant artists. Ximena grew up as an actor and holds a degree in theater direction/dance. Shige grew up in a family of visual artists and attended architecture school. Ximena and Shige worked together to found LEIMAY (incorporated in 2003) as young undocumented immigrants who were passionate about creating a space for art to exist amongst the barriers and challenges they felt as new residents of NYC.

Their collaborative works include performance, sculptural, video, mixed-media, and light installations as well as photography, training projects, stage performances and publications.

LEIMAY’s works have been presented at venues such as BAM Fisher, The Brooklyn Museum, Japan Society, Watermill Center, and Asian Museum of San Francisco, as well as internationally in Japan, Spain, France, the Netherlands, Mexico and Colombia. LEIMAY has received continued support from NEA, NYSCA and DCLA, among other private foundations. They’ve maintained collaborations with renowned artists (Robert Wilson and Ko Murobushi) and were nominated for Alpert and US Artists Awards. LEIMAY’s work has been reviewed in The New York Times, Theater Drama Review (TDR), The New Yorker, and Hyperallergic, among others. Ximena received the Van Lier Fellowship for extraordinary stage directors, and was recently a Distinguished Visiting Professor at the University of California Riverside.

The word LEIMAY is a Japanese term symbolizing the changing moment between darkness and the light of dawn, or the transition between one era and another.

ART-OBJECTS

 

DANCES
THEATER WORKS
OPERAS
ART INSTALLATIONS
 
INSTALLATION-PERFORMANCES
FILMS
VIDEOS
VINYLS
PHOTOGRAPHIES
BOOKS
PUBLICATIONS
WEARABLE
SCULPTURES
USABLE ART

MATERIALS AND SPACES

 

BODIES
LIGHT
NATURAL ELEMENTS
STRINGS
GARDENS & PARKS
PLAZAS & SQUARES
GALLERIES
MUSEUMS
THEATERS
CEMENTERIES
VIRTUAL/DIGITAL SPACES

 

EMBODY PRACTICE

 

LUDUS

 

With the Ensemble
With University Students
With Families & Kids
With Seniors
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ENTANGLEMENT PRACTICE

LIVE-WORK

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CIRCULATION

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COLLABORATION

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POTENTIALITIES OF BEING

Our work is rooted in questions of being, perception, interdependency and coexistence. We look to expose the multiplicity of spatial and temporal intervals that exist within the body, and between materials and environments. We are curious about what emerges when the stability of habits, affirmation of binaries, expectations of social norms, and the crystallization of identity dissolve and expose the potentialities of being. In our practice, we cultivate an ambiguous body and in-between-space — the force which surfaces when our Colombian and Japanese cultural identities collide with each other, dismantling our notions of self and belonging, dissolving social norms and systems of belief, and compelling us to connect to the fragmented self.


The fragmented self we refer to is not a broken or erased self. It is a being stretched out of its social identity, questioning itself and searching for its potentiality. Living in NYC, being in an interracial life and work partnership, communicating in a second language learned in adulthood, being away from our families, and existing in a state of cultural suspension have all contributed to the ways that we inhabit the fragmented self and stay curious to the in-between.

Through our works, we dwell in the unseen in-between

2025
Review: “Leimay’s ‘Becoming-Corpus’ at BAM Fisher”

“A flash of light on a darkened stage reveals a group of almost-naked people standing stock still, in silence. Then wiry lines of light slice through the darkness: one, another; soon a bunch of bright ribbons of light illuminate various slices of seven dancers. Are the dancers moving, and even…
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Review: “Exploring Topography in Varied Skins and Tones”

“The video projections are Mr. Moriya’s bailiwick and his control is remarkable. He can make solid flesh appear to melt. “ -Brian Seibert, The New York Times (2013)

Review: “Impressions of: Leimay’s ‘Becoming Corpus’”

“The Fishman Space, packed for this performance, was transformed into a communal seance. The emotional progression of this 75 minute work completes a circle, as the dancers offer a silent invitation to sequentially surrender, invert, reveal, confront, convulse, and center.” -Deirdre Towers, The Dance Enthusiast (2013)

Feature: “Dance Up Close LEIMAY’s ‘Becoming-Corpus; premieres at BAM FISHER Sept 12-15th, 2013

“a Unique Performance Experience of Dance, Video, and Electronic Music.” -Christine Jowers, The Dance Enthusiast (2013)

Review: “IMPRESSIONS: LEIMAY Ensemble’s “Extinction Rituals,” a Fantastical Funerary Rite”

“Extinction Rituals is most successful when most flamboyant, and the dancers interact with scenic elements in a series of dreamlike scenes separated by blackouts. .” -Robert Johnson, The Dance Enthusiast (2023) for Extinction Rituals

Review: “Space For Transformation”

“Our interdependence with the environment had never felt more real.” -Karen Greenspan, fjord (2023) for Extinction Rituals

Review: “An Eclectic Otherwordly Immersive Set”

“It was absolutely lovely, and the care and devotion the whole piece carries infused into the food and conversation.” – Penelope Ray, No Proscenium (2024) for A Meal

Review: “a three-hour tour: when ya gotta go…”

“At its heart, A Meal builds community around the act of eating; at the conclusion, you may find yourself hugging people who are no longer strangers and exchanging phone numbers. It’s not a passive experience; to get the most out of it, you need to become a participant, just like…
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Review: “VIEWPOINTS – Nurturing artists past, present, and future: Reflecting upon the enduring legacy and ongoing impact of HERE”

“Throughout, every detail has been lovingly handcrafted, from the gorgeous, artful costumes to the bespoke dinnerware — all of which present a beguiling vision of merged cultures.” –Interludes (2024) for A Meal

Review: “Immersive multi-sensory performance with dinner explores our connection with food in ‘A Meal’ at NYC’s HERE”

“…an innovative theatrical event that slows it down and transports you to another plane of dreamlike existence and meditative sensibilities beyond the boundaries of time and place.” -Deb Miller, DC Theater Arts (2024) for A Meal

Beau Bree Rhee

I’m interested in exploring portraiture of close friends & family, within the context of landscape & environment.

Maxi Canion

originally from El Paso, TX, is a versatile artist immersed in durational performance, movement, and improvisation. Collaboration is integral to their work as they manifest sensory experiences, guiding viewers to where hyper-surreal and ordinary converge. Their work investigates themes of identity, failure, and intimacy.

Sasha Vega

I’m an artist who uses movement, poetics, and humor to invite focus into the ideologies that train bodies how to move. Creating across time-based media, performance, and writing, my practice encourages critical play in reframing genres of embodied instruction. My own body is imprinted by: American dance theater, Filipino karaoke…
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Maggie Joy

is a freelance dancer living in New York. A Dallas TX native, Maggie is an honors graduate of Booker T Washington High School for the Performing and Visual Arts. She graduated summa cum laude with a BFA in Dance from NYU Tisch, and also studied internationally at the Salzburg Experimental…
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Kayla Yee
Kayla Yee

I will vacillate between free-form movement exploration and structured sequence building for the sake of environmental art-ivism. What does incubation mean to you? Pressurized containment for the sake of creativity.

Gabriella Carmichael
Gabriella Carmichael

I will be working to reinvigorate my practice and hopefully develop more consistency and uninhibited creativity. What does incubation mean to you? Incubation to me is the time prior to insight. It’s getting ready, it’s patience.

Maya Balam Meyong
Maya Balam Meyong

Alongside my fellow artists, I seize LEMAY residency opportunity to start crafting an immersive and multi-faceted performance on the theme of environment. What does incubation mean to you? Dedicated time for exploration, craft and growth.

Nicole von Arx
Nicole von Arx

This Fall I will be developing new dance and theatrical material for a work premiering at Triskelion Arts April 2023. What does incubation mean to you? The beginning of something that keeps evolving and growing.

Hollis Bartlett & Nattie Trogdon
Hollis Bartlett & Nattie Trogdon

Through choreographed films and live performances, we’re working to challenge the status-quo and create unconventional and radically vulnerable work which helps us make sense of our changing world and reimagine how dance exists in our spaces and in our bodies. What does incubation mean to you? “an environment that allows…
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Ankita Sharma
Ankita Sharma

I will be working on a new piece that situates nationalism and ensuing warfare on brown bodies within myth What does incubation mean to you? Loving on your ideas with inspiration, space, and time.

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